Dare to Create Unique Character Descriptions and Distinct Voices

Clue - Hill House

A lengthy cast requires diverse characters so readers don’t get confused. Even though enneagram types simplify developing realistic personality traits and behavior ranges, dare to create unique character descriptions and distinct voices.

Characters, Plot, and Theme Relationship

John Gardner, novelist, teacher, and critic, summed up the relationship between characters, plot, and theme.

Character is the very life of fiction. Setting exists so that the character has some place to stand. Plot exists so character can discover what he is really like, forcing the character to choice and action. And theme exists only to make the character stand up and be somebody.

Enneagram Traits and Behaviors

Before we get into character descriptions and voices, consider using the nine enneagram types to create realistic personality traits and behavior ranges. To learn more about enneagram types, check out this prior post: The Ultimate Free Character Template.

Character Development Problems

While watching a murder mystery, what’s your reaction when one character blends into another, allowing your mind to drift? Did you switch channels?

How about a book where you had to keep looking back to prior paragraphs to determine who was speaking? Did you set that novel aside?

Audiences expect and deserve unique character descriptions and distinct voices.

Dare to Create Unique Character Descriptions and Distinct Voices

The 1985 movie Clue* serves as an example of differentiating characters by appearance and voice. Jonathan Lynn directed the film and wrote the screenplay from a story co-authored by him and John Landis.

Based on Hasbro’s board game, Clue satisfies the genre conventions and obligatory scenes of a murder mystery. The high IMDB rating of 7.3 suggests the powerful appeal of talented stars playing fully developed characters.

According to interviews of Jonathan Lynn, writing and casting was no accident but a concerted effort to equip each actor with unique character descriptions and distinct voices.

Story Overview

Set in 1954, Clue is about seven guests, a butler, a cook, and a maid involved in a series of murders.

The guests meet at a New England mansion. During the introductions and dinner, Professor Plum (Christopher Lloyd) discloses he works in Washington, D.C., where the other guests live. As the story unfolds, Colonel Mustard (Martin Mull) dances around whether he was a client of Miss Scarlet (Lesley Anne Warren), who previously employed Yvette (Colleen Camp), the maid, who had an affair with the husband of Mrs. White (Madeline Kahn). Mrs. Peacock (Eileen Brennan) denies she took bribes to influence her senator husband. If the lifestyle of Mr. Green (Michael McKean) were disclosed, he would lose his State Department’s job.

To avoid public disclosure of their indiscretions, the blackmailer, Mr. Boddy (Lee Ving), gives a weapon (i.e., a candlestick, a knife, a lead pipe, a revolver, a rope, and a wrench) to each of six guests, telling them someone must kill butler Wadsworth (Tim Curry).

Memorable Name and Unique Appearance

The color-coded board pieces inspired the pseudonyms for each character, making it easy to differentiate between the individuals. With an eye for detail, the director emphasized character names with color-matched automobiles.

  • Colonel Mustard drove a yellow 1954 Cadillac Series 62.
  • Miss Scarlet drove a 1946 red Lincoln Continental.
  • Mrs. White drove a black-and-white 1950 MG TD convertible.
  • Mrs. Peacock drove a blue 1952 Packard 200 Deluxe club sedan.
  • Mr. Green drove green 1951 Plymouth Cranbrook.
  • Professor Plum drove a purple 1949 Pontiac Streamliner Station Wagon.

As examples of appearance, Tim Curry played Wadsworth the English butler, and wore the expected black jacket, white tie, stiff collar, and pinstripe trousers. Colleen Camp played the role of Yvette, the French maid, and wore a skimpy black dress, a little white apron, and matching cap. Kellye Nakahara played the role of Mrs. Ho the cook, and she dressed in a drab kitchen uniform, apron, and cap while methodically sharpening a large shiny carving knife on a steel.

Dominant Impression and Voice

An effective writing technique pairs an adjective with a noun to create the dominant-impression tag for each character. Another creates sample dialogue to show a character’s interactions with other characters.

Here are my dominant-impression tags and sample dialogue from the movie’s transcript.

Wadsworth

Wadsworth (Tim Curry)

Tag: Calm British Butler

Colonel Mustard: Good evening. I don’t know if—

➨Wadsworth (speaks in a serene yet somewhat superior tone): Yes, indeed, sir, you are expected, Colonel. May I take your coat? It is Colonel Mustard, isn’t it?

Yvette

Yvette (Colleen Camp)

Tag: Sexy French Maid

Miss Scarlet: Mm, very pretty! Would you like to see these, Yvette? They might shock you.

➨Yvette (speaks with a demur French accent): No, merci. I am a lady.

Miss Scarlet: Oh, how do you know what kind of pictures they are if you’re such a lay-dee?

Cook

Mrs. Ho the Cook (Kellye Nakahara)

Tag: Inscrutable Chef

Wadsworth: Is everything all right, Mrs. Ho?

Mrs. Ho (speaks with a curt tone while holding a sharp knife): Dinner will be ready at seven-thirty.

Colonel Mustard

Colonel Mustard (Martin Mull)

Tag: Pragmatic War Veteran

Colonel Mustard (speaks with an emphatic tone): This is war, Peacock. Casualties are inevitable. You cannot make an omelet without breaking eggs, every cook will tell you that.

Mrs. Peacock: But look what happened to the cook!

Mrs. White

Mrs. White (Madeline Kahn)

Tag: Beautiful Widow

Miss Scarlet: Maybe there is life after death.

Mrs. White (speaks with a sarcastic tone): Life after death is as improbable as sex after marriage!

Miss Scarlette

Miss Scarlet (Lesley Anne Warren)

Tag: Worldly Madam

Mrs. White: [after Mrs. Peacock swears that the reason she’s being blackmailed is a vicious lie] Well, I am willing to believe you. I, too, am being blackmailed for something I didn’t do.

Mr. Green: Me too.

Colonel Mustard: And me.

Miss Scarlet (speaks with a surprisingly upbeat tone): Not me.

Wadsworth: [surprised] You’re not being blackmailed?

Miss Scarlet (speaks with a forthright tone): Oh, I’m being blackmailed all right, but I did what I’m being blackmailed for.

Mr. Green: What did you do?

Miss Scarlet: Well, to be perfectly frank, I run a specialized hotel and a telephone service which provides gentlemen with the company of a young lady for a short while.

Professor Plum

Professor Plum (Christopher Lloyd)

Tag: Awkward Nerd

Miss Scarlet: I hardly think it will enhance your reputation at the U.N. Professor Plum, if it’s revealed that you have been implicated not only in adultery with one of your patients, but in her death and the deaths of five other people.

Professor Plum (speaks with a you-don’t-know-what-your’re-talking-about tone): You don’t know what kind of people they have at the U.N., I might go up in their estimation.

Mrs. Peacock

Mrs. Peacock (Eileen Brennan)

Tag: Aloof Snob

Wadsworth: Ladies and gentlemen, you all have one thing in common: you’re all being blackmailed. For some considerable time, all of you have been paying what you can afford, and in some cases more than you can afford, to someone who threatens to expose you. And none of you know who’s blackmailing you. Do you?

Mrs. Peacock (speaks in an agitated tone while smoking nervously): Oh, please! I’ve never heard anything so ridiculous. I mean, nobody could blackmail me. My life is an open book. I’ve never done anything wrong.

Mr. Green

Mr. Green (Michael McKean)

Tag: Nervous Man

Yvette: Go on. I’ll be right behind you.

Mr. Green (speaks in a nervous tone): That’s why I’m nervous.

Mr. Boddy

Mr. Boddy (Lee Ving)

Tag: Unscrupulous Rogue

Wadsworth: Ladies and gentlemen, the police will be here in about forty-five minutes. Tell them the truth and Mr. Boddy will be behind bars. [Mr. Boddy starts out of the room] Where are you going this time?

Mr. Boddy: I think I can help them make up their minds. Can I just get my little bag from the hall? [Mr. Boddy walks into the hall, grabs the bag, returns and places the bag on the table, opening it] Who can guess what’s in here? Huh?

Miss Scarlet: The evidence against us, no doubt.

Mrs. White: We didn’t know we were meeting you tonight. Did you know you were meeting us?

➨Mr. Boddy: Oh, yes.

Mrs. White: What were you told, precisely?

Mr. Boddy (speaks in a sly tone): Merely that you were all meeting to discuss our little financial arrangements, and if I did not appear, Wadsworth would be informing the police about it all. Naturally, I could hardly resist putting in an appearance.

Focus on Characters

As evidenced by the continued popularity of Clue, character is the very life of fiction.

Dare to create unique character descriptions and distinct voices for your stories.

Leave a Reply

In your writing, how do you balance character descriptions, voices, traits, and behaviors?

*For research about the 1985 movie Clue, I used these resources:

6 Comments

  1. I wish you were there last night! My critique group didn’t like my ‘unique characterization’ of my folks. They are primitive people, 1.8 myo, and have no concept of proper nouns, so they use long hyphenated descriptions to tell about something we’d address as ‘Lake Victoria’. This is authentic to primitive tribes of the 1800’s, mostly now gone, but it sure annoyed my group!

    I’m thinking of sending this link to all of them.

    1. Some discussions are like pushing rope up a hill. If you think the link will help, send. Thanks, Jacqui!

  2. Funny that you mention the enneagram. There was one of my books about the enneagram just published in the English speaking countries at the end of last year.

    The enneagram is about our ways we perceive which determines our action. It is a means to design protagonists as ‘real’ people act. We always perceive other people’s behaviour as type-like in contrast to our own behaviour. With regard to ourselves, we cultivate the illusion that we do not behave in a type-like manner.
    Keep well
    Klausbernd 🙂

    1. Thanks for commenting! I appreciate the way enneagram types help authors create realistic progressions of behaviors. Writers can develop character arcs for the good and bad guys that align with the positive and negative events within their stories—excellent for the romance, mystery, and thriller genres.

      1. Did you know that the Enneagram can also be used to understand or construct processes? This is just as important for an author as the construction of a protagonist. To see the enneagram as a way to understand the structure of a process was the original way how Gurdjieff used the enneagram.

      2. Thanks for the update, Klausbernd. My current enneagram focus is on the practical use of enneagram types to show realistic character choices, thoughts, words, and actions.

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