Editing Your Novel’s Thread of Plot Events

Editing Plots Event Threads

Use techniques and technology to help you self-edit your novel’s thread of plot events. It’s easier than you may think!

By: Grant P. Ferguson

Last Updated: November 27, 2024

What Is a Novel’s Thread of Plot Events?

A novel’s main plot is a thread of events that form the narrative of what occurs with the story.

  • Characters are the who
  • Plot is the what
  • Theme is the why
  • Structure is the how

Audience Expectations Connected by Thread of Plot Events

Readers expect stories to unfold based on their pre-established expectations gained over a lifetime of reading books and watching films. The plot follows a logical series of events sequenced within the Global Story Beats.

Please keep in mind the Story Beats represent general patterns, and authors are free to vary the locations and percentages. As principles, these beats are useful for interpreting and writing stories, but not as rules.

Story Beats

Given the mixture of plot, characters, and theme ordered by structure, the Scrivener app allows you to zoom from details to big-picture and back while answering essential questions.

Plot edits:

Plot Design Strives to Connect Thread of Events
  • Do events take place early that create tension, causing readers to engage as concerns increase for the lead’s well-being?
  • Do the events create a story problem that captures readers’ attention?
  • Does something dramatic happen to the lead character within the novel’s first page or two?
  • Do the emotion-laced events in the early scenes encourage readers to bond with the lead character, experiencing her emotions?
  • Are the stakes becoming clear to both the lead character and readers?
  • Do the lead’s efforts focus on solving one escalating problem she can’t avoid and balance the mixture of narrative and action?
  • Does the lead’s pursuit of a difficult goal create conflicts and tension?

Character edits:

Character Types
  • Is it clear who is the main character?
  • Will readers relate to this character despite her flaws?
  • Is the lead pursuing a difficult goal, one that if achieved, will solve the story’s central problem?
  • Is it clear who (or what) opposes the lead’s efforts to resolve the story problem, and what will happen if unsuccessful?

Theme edits:

Theme Elements Connected by Thread of Events
  • What does the lead character need to hear, but she ignores trusted friend or mentor?
  • Do the challenges and conflicts of pursuing lead’s goal convey the theme meaning and emotions?
  • Do the lead’s choices represent one or more dilemmas, ever increasing the story’s tension?
  • Does the lead’s inner issue hinder solving the story problem?
  • Does the lead resist the need to change, but as the story progresses, finally sees things differently?
  • Will readers learn something from the lead’s struggle that helps them to deal with real-life issues?
  • At the end of the story, does the success or failure of solving the story problem highlight how the lead has changed?

Structure Edits:

  • Does the lead’s backstory trickle out over multiple pages instead of an information-dump?
  • Do the scenes show what the lead character needs to know about self?
  • Do the scenes allow the characters to show rather than tell the story?
  • Do the stakes show the lead faces risks that could negatively influence her physical, professional, and psychological well-being?


7 responses to “Editing Your Novel’s Thread of Plot Events”

  1. D. Wallace Peach Avatar

    The immediacy of the need to hook a reader is something I have to work hard at with fantasy since there’s always a little world-building to accomplish. Fortunately, that too can serve as a hook if it’s interesting enough. Finding the balance is important and this post helps a lot. Thanks, Grant.

    1. Grant at Tame Your Book Avatar

      I love world building, Diana. However, I’ve lost count of the many did-not-finish novels, the ones where the cascade of details outweighed my ability or desire to care about the premise, characters, or story problem. As short attention spans continue to decrease, the HOOK offers the best opportunity to engage readers. After a writer captures their attention, most book lovers will stick around to enjoy the richness of the author’s story world. Thanks for stopping by today and sharing your insights.

      1. D. Wallace Peach Avatar

        A wise caution, Grant. Hopefully, I’ve avoided that pitfall!

  2. Jacqui Murray Avatar

    Good breakdown of the basic elements.

    1. Grant at Tame Your Book Avatar

      Thanks, Jacqui! I’m excited about how these basic elements plus advanced editing techniques merged into the Edit Drafts Workbook, which comes with a comprehensive checklist. It’s just one of the dozen workbooks included in the Trellis Method Course.

  3. Priscilla Bettis Avatar

    I like using the Act 1, Act 2a, Act 2b, Act 3 structure and have the very thing that stresses the MC come into play and reveal his or her worst. Hopefully, he or she grows after that!

    1. Grant at Tame Your Book Avatar

      You hit on an important yet subtle point, Priscilla. My wife and I discussed last night how our favorite TV programs and movies dribble out the backstories of the main characters. On the nose, and also info dumps, don’t work. The Act 1, Act 2a, 2b, and Act 3 structure offers abundant opportunities to reveal characters, using the story beats to surprise and delight audiences.

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